Loudness & Metering, Mixing & Mastering

How to Make GarageBand Projects MUCH Louder

Written By : Andrew Siemon

Getting a much louder project, regardless of DAW, is probably one of the most asked questions.

Usually, I find the answers to be too esoteric and philosophical. Turns out getting a loud project is easier than I thought.

The easiest way to make your GarageBand projects much louder is to load 3 to 4 limiters on the master track, and then set the Gain to +4dB and the Output Level on each to approximately -0.5dB.

Load the YouLean Loudness Metering Tool after and pay attention to the Integrated LUFS (-6dB to -10dB).

The Steps to A Much Louder GarageBand Project

1) Turn Off Any Mastering Or Other Plugins

1) Turn Off Any Mastering Or Additional Plugins
Make sure none of your plugins are running on your Master Track.

It’s a good idea to run through the plugins and effects on your individual tracks as well to see if any are enabled that should be turned off. Now is your final chance before exporting, otherwise, you’ll have to do everything again.

2) Set Your Levels in Your Mix and Export As WAVE

2) Set Your Levels in Your Mix and Export As WAVE
Set your VU meters on all your tracks.

Get your mix to sound good to your ears and ensure you’re not running into the red at any point of your project, including the loudest part.

To export your file, you have to first click Share, then Export Song to Disk, select Desktop, choose WAVE, and then finally hit “EXPORT.”

That’ll send it to your desktop where it’ll be easy to find. Its also a good idea to ensure you’ve selected “uncompressed 24-bit” in the “Quality” section.

3) Open A New Project and Import Your WAVE

3) Open A New Project and Import Your WAVE
Drag your mix into a brand new project.

Once it has been loaded into GarageBand, press Play and give it a listen once to ensure there are no problems you didn’t notice earlier.

4) Turn Off Channel and Master Plugins

4) Turn Off Channel and Master Plugins
Turn off your mastering plugins including in the “Effects” Panel.

For whatever reason, there is usually an enabled Channel EQ by default on the master track but without any adjustments made to it. They include an Echo in the Master Effects as well.

5) Load 3-4 Limiters on the Master Track

5) Load 3-4 Limiters on the Master Track
Using 4 limiters may seem excessive, but it is effective.

It’s probably more common to spread the load among 2 or maybe even 3 limiters. That said, using 4 of them and setting the gain a bit lower is what I prefer to do.

You can also reduce the number of limiters you use by increasing the “Gain” on each one. However, I prefer to split the load among more of them and have the increase in gain smaller.

6) Set the Gain to +4dB On Each & Output Level to -0.5dB

6) Set the Gain to +4dB On Each & Output Level to -0.5dB
Set your Gain and Output Level like so.

You want to make sure your master never exceeds 0.0dB. I believe the most common limit people set for themselves is -1.0dB.

Keep in mind that a higher output level (toward -0.1dB) gives more room for your track to be louder, and a lower output level (toward -1.0dB) leaves less room before squashing occurs. This could result in pumping and other unpleasant sounds.

However, because this is basically the final master, I set it to -0.5dB so I can get my project as loud as I can.

7) Enable the YouLean Loudness Meter Tool at the End of the Plugin Chain

7) Enable the YouLean Loudness Meter Tool on the End of the Plugin Chain
It makes the most sense to put the Loudness Meter at the end of your plugin signal chain.

You wouldn’t want to put the meter before the limiters, because then you won’t get the gain boosted reading.

8) Let the Whole Song Play and Look at Integrated LUFS

8) Let the Whole Song Play and Look at Integrated LUFS
Typically, what I do is I just listen to the whole song and then I have a look at the Integrated LUFS.

I might even do the dishes or some other household chore while the song is playing. Then I come back and have a look at it.

If you’re impatient, you can do as I said in the image’s annotation and drop the Playhead Arrow at different sections of your project. This will also give you an adequate reading. Don’t forget to include the loudest parts of the track as well.

It’s better to listen along with it though for many reasons, several of which I’ll mention next.

9) With Good Monitors, Listen for Pumping, Distortion, or Other Unpleasant Sounds

Etymotic ER3SEs for Recommended Product Page
I prefer ear buds like the Etymotic ER3SEs for listening to music including while monitoring.

That said, I absolutely listen to the mix across several different platforms including:
1) AirPods
2) iLoud Micro Monitors
3) Google Home Speaker


*Many people prefer to use their car’s speaker system for the ultimate test.

I have so many pairs of headphones and speakers now that it would take all day to test my mix on all of them. I like to listen to my own music, so I’ll listen to my projects on speakers and headphones that I, myself, like to use.

10) Turn the YouLean Meter Tool Off & Export As A WAVE File

10) Turn the YouLean Meter Tool Off & Export As A WAVE File
Once you’re done measuring its loudness, turn the YouLean tool off.

Then you can export your project. I don’t think it makes a difference though. To me, it just makes sense to turn it off because it doesn’t need to be there.

11) Load the File Into Music & Compare the Volume with Professional Tracks

11) Load the File Into Music & Cross Reference the Volume with Professional Tracks
Once your project is in Music, you can have a listen and see how it sounds.

Check for distortion, pumping, and crushed-sounding cymbals. Typically, the drums are what present the biggest problem, but not always. It’s up to you though.

Before we wrap this up, let me give you 5 quick tips. Some of these are tips that I’ve already mentioned in passing but I’m adding more detail and context.

5 Tips for A Louder Project in GarageBand

1) Make Sure Auto-Normalization is Turned Off

1) Make Sure Auto-Normalization is Turned Off
It’s super important to ensure your Auto-Normalization is turned off.

Auto-normalization basically exports it as loud as GarageBand thinks it should be. It’ll do an ok job, but it won’t be up to the standards that you’re looking for.

I’ve had this box de-selected since I started using the software in 2017 which I wrote in my articles years ago.

2) Watch the Low End In Your Mix

2) Watch the Low End In Your Mix
The low-end is the peskiest part of a mix.

In my experience, the low-end of the mix is the busiest part. It’s the part that presents the most challenge when it comes time to finally master the project and get it to a competitive volume.

I’ve re-mixed tracks repeatedly, with each track successively seeing its bass frequencies lowered more and more each time. If you want a really loud song, I believe the key is to get the low-end figured out the most.

In other words, your instruments, sounds, and vocals should be EQ’d in such a way where everything fits together like pieces of a puzzle.

If your kick is really “boomy,” you might want to reduce the 80-120Hz on your 808 or bass guitar. I’ve talked about this before in my guide to Channel EQ.

3) Go Easy on Compression in the Mix

Another thing that I’ve found from experience is that too much compression in your mix will destroy your song when you go to master it.

Use compression only with purpose and only where necessary, otherwise, it’ll get in the way later.

People say that compression is the secret to getting your project loud because you attenuate the loud peaks and increase the quiet parts, however, that’s hard to do without crushing your track.

4) An Integrated LUFS of -23dB for the Mix Is Decent

4) An Integrated LUFS of -23dB for the Mix Is Decent
Aim for -23dB Integrated LUFS on your mix before exporting it.

Any fewer dB (toward -30dB) and you’ll need 6 limiters to get the gain to where it should be. But any more, and you don’t have enough headroom.

5) Use Option + Click to Duplicate Plugins

5) Use Option + Click to Duplicate Plugins
The Option + Click trick is great for quickly duplicating plugins as fast as you can.

For more keyboard shortcuts, go to my other article.

If you have any tips, thoughts, or questions, don’t be afraid to let me know in the comments. I’m curious to hear what you guys have to say.

Other Articles You May Be Interested In

Andrew Siemon is the principal creator of ProducerSociety.com, a website dedicated to all things music, including music production, music theory, recording, and how to use the most popular DAWs. Starting out as a metal guitarist, Andrew has since moved into other areas of music production including hip-hop and fusion

Leave a Comment

TOC