Making loops is a simple process in Garageband.
1) Select the region you want to loop.
2) Use the command, “Control + Shift + o (the letter, not the number).”
Another thing that you can do is go into the ‘File’ heading and then select, “Add Region to Loop Library.”
3) You have two options, either select, “One Shot,” or “Loop.”
The difference is that with “One Shot,” the loop is recorded exactly as is, and can’t be (as easily) modified afterward according to tempo and key signature adjustments.
The “Loop” option, makes it so that the loop will change with tempo and key signature changes.
It’s really as simple as that.
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How To Adjust Key Signature And Tempo Of Pre-Recorded Loops
1) Double click on the “Track Region.”
2) Choose the option, “Region.”
3) Check the box, “Follow Tempo and Pitch.”
- Note that when this box hasn’t been checked, the loop won’t change at all according to tempo and key signature adjustments. This may be convenient for you later.
4) Underneath the setting, “Transpose,” move the slider to however many semi-tones you want to change it by, up or down.
5) If you want to adjust the time signature, just do it the way you normally do, using the main BPM counter in the top-center of the software.
This is where a bit of music theory comes in handy. A change by a few semi-tones will effectively adjust the key signature depending on by how many tones.
For instance, if the key of the loop is A Major, and you want it to be changed to E Major, you have to drop it by 5 semi-tones.
Think in semi-tones, rather than whole tones, because that’s how the pitch shifter is laid out in GarageBand.
If you don’t know music theory, you can just adjust it by semi-tone until it sounds good. It can be done by ear.
An important thing to note, however, is that adjusting samples or loops by semi-tones will only work in relative keys.
In other words, if the sample/loop is in A Major, it can only be changed to another Major key signature. It can’t be changed to a minor key, because then the accidentals (# and b) would have to change.
If you want a starter’s guide to music theory, I suggest checking out Music Theory.net first and then pick up The Complete Elementary Music Rudiments by Mark Sarnecki from Amazon as well as the answer book.
Elementary rudiments are really not that sophisticated, and a basic understanding will go a long way.
For this instance, specifically, you want to learn about the difference between semi-tones and whole tones, in addition to key signatures which can also be learned by one of my favorite e-books, PianoForAll, which is a great tool for learning piano for music production.
Another thing Garageband users often talk about is whether or not it’s ok to use Apple Loops when creating music.
By the word, “Ok,” I mean whether users have to pay royalty fees in case your song blows up and earns money which I talked more about in my other article.
While I can’t speak for other Loops created by other companies, from what I understand about Apple, they don’t require any kind of royalty for using their loops. I guess it’s a gift to their users. Putting all of that aside….
Loops are a great feature in Garageband, whether they’re the stock loops that come as a part of the workstation, the ones that you’ve created yourself, or some of the excellent sounds and instruments that come as part of Komplete 13’s bundle from Native Instruments.
When GarageBand first launched in 2004, the pre-recorded loops were one of the most talked-about features, with hundreds of presets and samples loaded into the software.
Fast forward fourteen years later, and there are so many loops that come with the software. When I first began using GarageBand, I never considered even using them.
However, after a bit of experimentation, I really learned to appreciate them for what they are.
The loops that Garageband offers are convenient for a couple of different reasons, including the fact they can be adjusted to different key signatures and tempos.
Each loop has the capacity to be used in pretty much whatever song you need it in, rather than having individual loops that are only good for one tempo and one key signature.
Additionally, if the music has been recorded using MIDI, one can change the software instrument afterward to create a totally different sound.
I do this all of the time when creating music. If I’ve made a melody using the piano, I’ll load up a synthesizer, arpeggiator, or a nylon string guitar using copy/paste with the same music just to thicken out the sound.
Moreover, as I wrote in my article in changing tempo in Garageband, using the “One Shot” feature can actually come in handy if you don’t want to change the tempo/key signature of your loop when adjusting other parts of the song.
Tips For How To Make A Seamless Loop
Creating smooth loops is important for the production process (I show you how to do this better in my editing guide).
It can be incredibly frustrating in the beginning stages of learning how to create synchronized samples and correctly timed loops.
If the music isn’t the proper tempo, time signature, or melodically “correct,” it can potentially sound pretty bad – or not to what regular music listeners are accustomed.
Unless the “incorrect” music is intentional, I imagine you want a song that sounds “right.”
fter a bit of help and practice, users can figure out how to make great sounding versatile loops for all kinds of music.
If you want your loop to sound good and synchronized with the rest of your tracks, you have to ensure a couple of things.
- 1) The first important thing is to ensure that your track region is only 4 measures. If you try and create loops that are more than four measures, while other loops are 5, it’s not going to work out in the way that you want.
However, making your loop 8 measures will work, because of the compatibility between the time signatures.
*Once you’ve really become sophisticated in your music production skills, you can easily use more sophisticated time signatures.
- 2) The next important thing is to ensure that the musical notes fall exactly on the beat or the “lines” – as Garageband has everything laid out.
- 3) Another crucial detail is to ensure the time signature of the loops are the exact the same, otherwise, they won’t sound “correct.” for instance, you can’t loop a beat in 9/8 alongside one in 5/8. It’s not going to sound alright if you try and repeat it over and over again.
For instance, if you’ve created a loop at 80 beats-per-minute, and then another at 120 beats per minute, it’s not going to sound right.
- 4) Using a divisible of an even number will usually sound alright, for instance, if you’ve created a piece of music that is only two measures, and then loop it for as long as you want, it’ll work fine in even number time signatures.
- Ie, 4/4, 4/8, 8/12, etc.
How To Use Apple Loops
As I mentioned at the beginning of the article, if you want to use one of Garageband’s loops (and Logic Pro X),
1) Go to the right-hand side of the screen and click on the icon that looks like a hose.
2) Click on it, and it’ll bring up countless loops.
After beginning to scroll through them, it’s clear right away that there is a ton of them at our disposal. Divided by Instrument, Genre, and Descriptor, you can navigate through the list and choose the one most suited to you.
Unfortunately, in a recent update, GarageBand changed it so you can’t see the tempo and key signature of the loop anymore.
Edit: After a bit of research, this point is actually incorrect. By going into the Garageband Preferences, then the “Loops” sub-category, users can select the box, “Display Original Tempo and Key.”
However, I think the reasoning for this is that after dragging the loop into the Track Region, it’s really up to the user to choose its tempo and key signature.
3) Check out the Genre sub-category, and you can see there are 23 different options, including Rock/Blues, Country, Jazz, Funk, Indie, Chillwave, Electronic, Urban, House, Deep House, Electro House, and so on and so forth.
Personally, I love the Jazz section, especially the “Hustle Flutes.” It’s a great way to add a bit of style and groove to a song that would otherwise sound a bit dry.
4) In the instrument sub-category, there are 24 different to choose from, including Piano, Strings, Synth, and Percussion instruments.
5) And finally, in the
6) Just click on one of the loops to hear it play, and then drag and drop it over to the Track Region. Loops are always in Audio Track (Blue) format.
7) Now, with the “Enable Flex” function turned off, change the key signature and tempo as you see fit.
Other Important Things to Consider
The loops can actually come in a few different formats, including Green, Blue, and Yellow.
Green loops are MIDI-format, in other words, they can be edited and changed as most MIDI music can. Simply drag and drop the little Green notes around as you see fit.
Moreover, the handy feature of MIDI loops is the fact that we can just change the software instrument track and then have an entirely different sound.
Audio, on the other hand, can be edited but only in terms of key signature as well as Tempo. In other words, they are previously recorded audio snippets. With that said, Audio Loops typically sound quite a lot better than MIDI loops.
And Yellow Loops are pretty new. They are drummer tracks that can be edited for fitting into your music specifically.
And finally – this probably goes without saying – you can change the length of each Loop as usual by just hovering the cursor over the loop, and dragging it to the desired length.
If you wanted, you could build an entire song purely with loops. While some people would seriously question that sort of thing, I don’t there’s anything wrong with using pre-recorded loops as a way of creating music.
If you can create something unique using the building blocks another person created, have at it.
That’s all for now. I hope this tutorial was helpful to you. Make sure to share it on social media with your friends.